In recent years, I've been reading a lot more noir and procedural writers, but when I tried a bit of Mickey Spillane, Hammer's creator left me rather cold. He's not a patch on Chandler or Hammett, or more modern writers like Lawrence Block, Joseph Wambaugh or even Ed McBain. The TV show was better... but maybe that's only in my memory.
Anyway, I had a great affection for Stacy Keach, who signed out earlier this week to go and pound gumshoe leather on another plain.
Lost Dogs were a 90s band described as a "Christian rock version of the Travelling Wilburys". Let's not hold that against them, because they've just saved Stacy Keech a place on the jukebox...
Is that Stacy Keach passed out on the beach?
And if that wasn't enough, Stacy was also known to lend a hand to Fascinating Aïda...
G-spots are a joy
G-spots are a G
G-spot manipulation should go hand in hand
With a nice fantasy about Tom Cruise
Or even Stacy Keach
And for completeness' sake, I'll throw these two in...
In the end, this is the best tribute I can offer today. Harlem Nocturne, by Earle Hagen, with Bud Shank on sax.

Oh. I missed that news. "Mickey Spillane's Mike Hammer".
ReplyDeleteHave you tried any Stephen King noir? The Colorado Kid, Joyland and Later are all good. I particularly enjoyed Joyland, possibly down to the time and setting.
Yeah, I enjoyed all those. At this stage in his career, King seems more comfortable writing dark crime fiction rather than pure horror.
DeleteIf that track is typical the Lost Dogs might be one of my Top 5 Christian Rock bands
ReplyDeleteI imagine that's a limited field.
Delete''Not as good as Chandler or Hammett'' you say. Then again, who is? Who can ever be? I like it when the genre is subverted; have you seen Gumshoe with Albert Finney? Same Spade comes to Liverpool! It's a classic. And the social history/commentary (it came out in 1971) is priceless.
ReplyDeleteAlso, it was directed by Michael Medwin who, among other roles, played Eddie's boss at the radio station in Shoestring - another UK detective pounding the mean streets; this time in Bristol.