Wednesday, 14 January 2026

The Legend of CD 108 – Part 1

Over at The Vinyl Villain, JC recently started a series about the legendary C86 cassette, and very entertaining I’m sure it will be. In response, I thought I’d look at a CD compilation that has proven very popular here at Top Ten Towers… SAMCD 108.

A little background for those of you who haven’t been paying attention…

Since he was very small, I have been compiling in-car CD compilations to be played whenever I’m driving my son to school / football / holidays / social engagements etc. The idea has always been to expose him to the widest range of pop music possible – not just my favourites. We started with all the big, kid-friendly singalong songs (The Monkees, Beach Boys, Sweet Caroline) but as time as has gone these CDs have become more and more diverse. As with any good compilation, I like to mix big tunes with forgotten gems, and crash through the genres like I’m in a mad HMV trolley dash. I’ve been doing this since Sam was a baby and I’m just putting the finishing touches onto SAMCD 176. When we get fed up of the latest disc, it goes in a folder with all the old ones, and as well as introducing new CDs every few weeks, we also work our way through the back catalogue in numerical order.

For months now, Sam has been very excited about hearing CD 108 again. I’ve insisted we work our way towards it – 101, 102, 103, etc – but he’s kept wanting to jump ahead. CD 108 was the best in his memory. To be honest, I think he’d built it up so much that when we did finally listen to it again, it probably wasn’t as good as he remembered… but he claims it lived up to his expectations, and who am I to call my son a liar. (But he’s 12 going on 16 now… lying to your parents is becoming a daily occurrence, I’m sure.)

To cut a long story ever-so-slightly shorter then, here’s a new series in which I work my way through the tracks on SAM CD 108 and try to work out why this particular set of tunes was so memorable. It’s just another excuse to write about songs.

Track 1: The Cure – Friday I’m In Love

Well, you’ve got to start with a belter, haven’t you? I’m frankly shocked that I managed to do 107 CDs before this one and not include Friday I’m In Love. But there’s a randomness to my selection process and it’ll often depend on what I’ve heard on the radio or seen on TV or featured on the blog as “What’s the biggest hit by this artist?” The Cure will have featured on Sam’s CDs prior to this – I have got a spreadsheet somewhere, but it’s not to hand. Still, it’s hard to believe I got this far without thinking of The Cure’s poppiest radio hit.

So far then, this CD is shaping up to be a belter.

Track 2: Brad Paisley – Last Time For Everything

And though you might not think it, this one maintains the high standard… and not just because it features David Hasslehoff in the video.

I find myself shocked again though – because a quick glance at the streaming service, expecting this to be one of the most-streamed Brad Paisley tunes, reveals that it’s actually way down the list. What’s wrong with people? I’m a huge fan of Brad’s brand of cheerful, tongue-in-cheek Stetson-and-a-smile country, and I reckon this is without doubt his finest hour. It’s a song that works like a big reassuring hug, a song that says, ‘Hey, we’re all growing older, and growing older is about saying goodbye to things we love… and the only consolation that I can offer is that we’re all in it together’. That might sound cheesy, but this sort of music is inherently cheesy… it doesn’t mean it can’t bring a tear to your eye (as this song invariably does) if you put your cynicism up on the shelf for a while.

I didn’t want Sam to grow up with a bias against country music, and songs like this have helped him appreciate it in a way most of the kids I went to school with never could. He’s even introduced me to a couple of cool country-crossover songs in recent years, like Old Town Road by Lil Nas X (with Billy Ray Cyrus!) and A Bar Song (Tipsy) by Shaboozey. Job done.

Track 3: Stevie Wonder - Masterblaster (Jammin’)

Stevie in the 70s is, of course, untouchable, and his tribute to Bob Marley is another stone cold classic… but hold up, this is from 1980? When did it all start going downhill? It’s OK, I reckon you can go as far as 1982. And even after that song, you know, the “Is she in a coma?” one, there’s Part-Time Lover, which is a late era belter. After that… I dunno, you tell me? Did Stevie Wonder do anything else worth listening to after 1985? I don’t want to discriminate.

Unless you tell me otherwise, Sam’s knowledge of Stevie Wonder will finish then.

Personally, I don’t think CD108 maintains the standard set by the first three tracks… but let’s be honest, what compilation does? You always front-load the juicy stuff, just to get people to give it a shot.

Three more tracks next week.


3 comments:

  1. I love the attention to detail that means you’ve given these CDs catalogue numbers - as a completist, I obvs want to get the set!

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    1. How else would I keep track of what's on what without numbers? I can't rely on memory.

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  2. I made car tapes in the 1970s-90s, which, as technology evolved, became car CDs. I never numbered them though, I gave them each a title, often cunningly clipped from a lyric of one of the tracks, never from Track 1 though - too obvious! I wonder if across all those years I made 176 compilations? It's possible I suppose. I certainly never catalogued them as diligently as you have though. It must be fascinating for you both, listening back through the SAM series, like flicking through an aural photo album.

    My car comp tradition came to a crashing halt last summer with the purchase of a new (second hand) runaround with a USB port on the dashboard. I dragged and dropped a mountain of music onto a memory stick, nowhere near even half filling it, and have had it playing on random in the car ever since. I'm seven months in now and haven't heard a single track twice yet. It's lovely to have all that music in one place, but I do miss the fun of crafting the perfect compilation.

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