11. The Mountain Goats - Through This Fire Across from Peter
Balkan
Another concept album, knocking on the door of the Top Ten, this one involving a dream that novelist / songwriter John Darnielle had, involving a shipwreck and a desperate ordeal for three survivors (including the titular Peter Balkan).
I’m only just beginning to scrape the surface of this one –
the latest Mountain Goats album was released in early November – and its
position so high in the countdown is perhaps more reflective of my growing
fascination with the work of Mr. Darnielle and a lot of time spent listening to
the Goats’ back catalogue this year (I’m even thinking of putting together an ICA
for JC… if I ever get the time).
10. Jonathan Richman – Only Frozen Sky Anyway
Jonathan Richman - Night Fever
I was suckered into falling for this one through his cover /
reinvention / Jonathanisation of the Bee Gees’ Night Fever, but there’s much
more joy to be found here. The critics tell me the album dwells on death and
mortality – but isn’t that to be expected from an artist with six decades in
the music business? I can’t say I noticed it anyway, I was more taken with his
customary wit and wisdom (making me wonder why I haven’t paid more attention to
his more recent output), deep philosophical insight (which you can take or
leave, it never feels like he’s pontificating) and splashes of Spanish, as on Se
Va Pa'Volver and Little Black Bat.
9. Divine Comedy – Rainy Sunday Afternoon
Another late entry to the countdown, released at the end of September, yet already confirming itself as a glorious addition to the Neil Hannon songbook. It’s a deeper and more personal record than his rather frivolous last recording, Office Politics – incredibly, that was six years ago, but Neil kept himself busy writing the soundtrack to Wonka in the meantime.
The Divine Comedy - Invisible Thread
Unlike the Jonathan Richman record, I could
definitely spot mortality as a major theme here – understandably, as it turns
out Neil lost both his father and his favourite dog while working on these
songs. Yet it’s never a depressing record – there’s a lightness, a joy to be
found in even the most contemplative of tracks. Just none of the pure comedy
moments Neil often throws in to satisfy his Noel Coward urges.
The Divine Comedy - The Last Time I Saw the Old Man
It always amazes me that The Divine Comedy came to fame at the height of Britpop, since Hannon’s songwriting belongs to another era entirely. Coward yes, but Cole Porter too.




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