Welcome back to my favourite 25 records of the year. And please remember, I'm an English teacher, not a Maths teacher...
13 and a half. Otis Gibbs – The Trust of Crows
OK, confession time. I made a list. I narrowed it down to 25 albums, because this is 2025. I started putting them in order and writing the posts.
And then I realised I’d left someone out. Don’t tell Ernie,
you know what a stickler he is for numerical accuracy. Fortunately the Maths
teacher doesn’t seem to care. Maybe he’s used to English teachers who can’t
count.
Anyway, Otis Gibbs released a new album this year, and a
fine collection of tunes it is too – as expected from Americana wordsmith and
youtube rock ‘n’ roll folklore collector, Mr. Gibbs. I wasn’t able to buy the
CD this time round because it’s only available from his website, and the cost
of postage from the US is now more expensive than the CD itself. I blame Trump,
and I’m sure Otis does too.
13. Brian Bilston & The Catenary Wires - Sounds Made By Humans
Brian Bilston & The Catenary Wires
– My Heart Is A Lump Of Rock
Why it didn’t end up Top 10 is perhaps because after a while
it started to wear on me, and I began to realise it didn’t have the longevity
of comparable discs – say the new album by Half Man Half Biscuit or anything by
Simon Armitage’s bands Lyr or the Scaremongers. (Plus, the BB poem/song To Do List… well,
it’s a direct steal from
our sainted Poet Laureate, and that began to niggle me a bit.)
Brian
Bilston & The Catenary Wires - Thou Shalt Not Commit Adulting
Still lots to enjoy here then, but without the longevity I’d
expected when I was lauding it earlier in the year.
12. Eric Church - Evangeline vs. The Machine
The latest record from Eric Church continues his move away from his Waylon-esque outlaw roots into far more soulful territory. And I’ve always been a sucker for Country Got Soul. Evangeline vs. The Machine is a concept album, apparently, meaning that the songs all merge into one another and there’s some kind of link going on behind the scenes, but much as I love a good overriding narrative, I’ve yet to grasp the one at work here.
Despite that, this is a rollicking good record, one that takes great pleasure in stealing lines and, indeed, whole concepts from the classic country and rock songbook. There are gleeful references to the work of Bob Seger, Tom Petty, ACDC, Johnny Cash and Paradise By The Dashboard Light (not Eric’s first dalliance with Steinman)… plus a glorious reimagining of The Devil Went Down To Georgia for the 21st Century, which might well be a subtle dig at the Orange Oligarch,

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Normally I would be appalled but as it is Otis I'll let you off. Been lucky enough to see him live several times but not for a few years. I wonder if he still hates black pudding?
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