Quick reminder of the Lime Green Rule, for anyone who's not been paying attention...
Unless they're amazing suggestions, I'm going to stop allowing lyrical 24s (and so on) as we get nearer number one. Let's face it, there are way too many. So you'll have to be really persuasive if you want to sell me on a lyrical reference from now on. Sorry.
Because, look, here's George again.
Damn that lime green rule. It means whip Crack Away by Doris Day is excluded.
Exceptions can be made in exceptional circumstances, George.
It's in the collection - no idea how it got there, but it aint bad ... I'm off to listen to some more. Never knowingly heard it.
Welcome to 50% of my record collection, RD. One of the reasons I do this blog is so I actually get to listen to some of the tracks I've never heard before.
OK, before we get to this week's debate, what else did my hard drive spew up?
Which brings us to the debate. The Swede was the first to raise the issue...
Seriously though, is anything going to top 'Strawberry Letter 23' by Shuggie Otis this week?
Charity Chic seconded that... but then, Lynchie threw in the alternative.
I prefer The Brothers Johnson version of "Strawberry Letter 23" to Shuggie Otis, so there!
I must admit, I'm really kind of torn. I know Shuggie wrote it, and the original takes some beating... but I really am rather fond of the Brothers Johnson version myself, especially as it's the version I heard first. Have we to call it a tie?
Probably the most famous example of using movie clips in a hit song... but if you strip them out, there's little else in Flash beyond John Deacon's bassline, Brian's typically OTT guitar solo... and, of course, Freddie belting out the chorus like he's strapped to a rocket hurtling into the sun. But it's the quotes that make this track... not least, Brian Blessed giving uncharacteristic understatement to the most famous line of his career: "GORDON'S ALIVE!"
If you're gonna sample movie dialogue, then at least steal from the best... in this case, Quentin Tarantino. Huey & co.'s breakthrough hit sampled numerous clips from two Tarantino classics: Reservoir Dogs and Pulp Fiction. The fact that both the movie dialogue - and Huey's lyrics - contained a variety of very bad language somehow wasn't a barrier to airplay... though the edited version did leave very little to the imagination.
Less a song, more a cobbling together of various tracks from the Batman soundtrack, this always divides both Prince and Batman fans (especially the latter who were expecting Tim Burton's 1989 movie to use Neil Hefti's famous 60s Batman theme tune). Being that I was a huge fan of both back in the day, I devoured Batdance on first hearing: bought the single, the album, the T-shirt... even went to the 6th Form fancy dress disco as the Joker with full face paint (not a good idea - my teenage acne went wild).
Listening back to it now, this track sounds utterly, utterly mental. Only Prince could have got away with it and made such a crazy concoction work in the way it does. The video is insane as well, featuring the kind of language and behaviour that again ONLY PRINCE WOULD GET AWAY WITH. There's even a bit where he appears to repeatedly shout "Get the fuck out!" but I'm reliably informed he says "funk", so that's OK. Incredibly, he took this infernal mishmash to #2 in the UK singles chart - and #1 in the States.
Partyman, from same album, is a much better song (though the video omits the Jack Nicholson quote that opened the original) but it wasn't anywhere near as big a hit.
The most famous BAD song features their most famous use of movie sampling - with a variety of quotes taken from Nic Roeg's movie Performance starring James Fox and Mick Jagger. Like many people, I used to believe the samples were Michael Caine dialogue... which made more sense of Einstein's equation, if you think about it.
This wasn't the only time BAD using movie sampling though - their entire debut album was peppered with film quotes, including The Good, The Bad & The Ugly; A Fistful of Dollars; and The Treasure of the Sierra Madre.
Some men you just can't reach. So you get what we had here last week, which is the way he wants it.
Well, he gets it.
I don't like it any more than you men.
Then again, I used to think that that Axl's closing question, "What's so civil about war, anyway?" was evidence of what a deep thinker he really is... so what do I know? Or Bono or Sting delivered that line, I'd be pissing myself...
The album version of Chumbawamba's biggest / only hit begins with a rousing clip from the movie Brassed Off, featuring the late, great Pete Postlethwaite giving it everything he's got.
The truth is, I thought it mattered. I thought that MUSIC mattered.
But does it bollocks! Not compared to how PEOPLE matter.
Sadly, the record company edited that off the single version and went straight into the whiskey drinks and lager drinks, making the song sound like an anthem for pissheads, which went down very nicely in the late 90s... but wasn't the band's intention at all.
We wanna be free - we wanna be free to do what we wanna do
And we wanna get loaded
And we wanna have a good time
Normally, this is the sort of thing that gets my back up, not being the biggest fan of either dance music or remixes. Credit where it's due though, Weatherall created a far more interesting record... one that virtually defined an era. More about that here, if you're interested.
Primal Scream & Andrew Weatherall pulled the same trick a few years later with Kowalski, sampling the movie Vanishing Point. Another great example of this sort of thing done right.
This post took longer than expected, but I'm pretty positive I missed out some other famous tracks featuring dialogue culled from movies. If you can think of any, do let me know in the comments.
I
used to dedicate this song to Gwyneth Paltrow and sing the lyrics,
"Whiny, whiny, whiny Gwyneth Paltrow." But since she was in Iron Man, I
don't hate her as much.
Just amazing storytelling here: a hypocritical man of the cloth plays around on his wife... and then things turn nasty.
Missy wore them go-go boots; it did something for him
Made him think his wife back home was homely and boring
He met these guys who didn't mind getting dirty
He was a pillar and his alibi was sturdy
It only took a little bit of cash and the deed was done
1. Nancy Sinatra - These Boots Are Made For Walking