Wednesday, 31 December 2025

My Top 25 of 2025 #8


We're here. At last. The end of this nonsense. My top three albums of 2025.

At various points throughout the last couple of months, I considered naming each one of these my Album of the Year. They're each so different, there's no way to compare them... and choosing which one goes on top inevitably says more about me than it does about the record in question. Maybe the easiest thing to do would be to say they're all the top, in their own distinct way...

3. Panic Shack - Panic Shack


Panic Shack are four young women from Cardiff, and they sound like that on every song. There's a pop punk thing going on in the music, equal parts Ramones, Runaways and Donnas, with maybe a splash of Cerys, and not just because they're Welsh. 


When I started this countdown with Wet Leg at #25 (although actually it turned out to be #26... so strictly speaking, Wet Leg didn't even make this list), I said how much I'd been looking forward to their second album... and how disappointed I was that it wasn't half as much fun as their debut.

Panic Shack - We Need To Talk About Dennis

The fun came when I discovered Panic Shack, who in their own way are covering similar lyrical ground to Rhian Teasdale... but with a lot more self-awareness and without the lack of a vague whiff of misandry that's begun to seep into the Wet Leg ouvre. And if you're going to name your song after a TV personality (Davina McCall?) at least do it for a valid reason.


I've no idea what it's like to be a young woman in the 21st Century, I can hardly even manage being a middle-aged man right now, but Panic Shack provide a witty and endearing peek into their lives. The issues of body positivity (or negativity) - stick thin vs. large boobs - crops up in a couple of tunes, leery blokes obviously get a look in, and the tragedy of jeans without pockets is obviously a huge issue. Whatever the subject though, Panic Shack always remember to make it fun. If only Wet Leg could have done that.



2. James McMurtry - The Black Dog And The Wandering Boy


So the reason I didn't want to make Panic Shack my album of the year was purely that it stank of Old Man Trying To Sound Hip. The next two records then are far more what you'd expect... both from artists who have previously topped a year end chart too.  I don't think either of these albums is quite as good as their predecessor... but those records were career bests in my humble opinion, and it's very difficult to follow a career best with something even better, But - as discussed with Pulp - weight of expectation can be a killer.

Anyway, James McMurtry's latest. It's another cracker from the finest grizzled Americana storyteller or his generation... makes you wish he'd write a novel or two like his old man. He inhabits his characters so well, be they the jaded South Texas lawman who can't keep pace with modern times...

South Texas lawman, the work just ain't the same
Used to you could clock 'em good if they called you any names
Now he's up on charges for showin' 'em who's the boss
He reckons after Vietnam, we musta all gone soft

I used to be young
I used to understand
I used to be strong as any man
I used to be tough
Nobody bothered me
Now I've had about enough, this don't suit me
It don't suit me


...or the MAGA militia, weighed down by the chips on their shoulders...

Nowadays we're feelin' stressed
It's all for us and damn the rest
Tellin' each other have a blessed day
All camoed up and standin' tall
Buildin' bombs and border walls
As all collective conscience falls away

And they wave those stars and bars
Is that really who we are?

Sons of the second sons
Products of genocide
Polishin' up our guns
Payin' on double-wides
Sons of the peasantry
Tellin' ourselves we're free
Sons of the loyal serfs
Salt of the blessed Earth
In search of a savior


...or even a poor little grown-up puppet boy like Pinocchio, with all his innocence lost...

Pinocchio's in Vegas with his eye on the prize
He's a real boy now, his dick grows when he lies
But his face stays frozen like it's still made of wood
It displays no emotion as he cleans 'em out good
At that back room table most any Friday night
He don't even need the money, he's just in it out of spite

When the claims came to light, Pinocchio was blue
The lawyers had a field day, just like they always do
First, they tried to fleece him for a rainbow's worth of gold
He had to sue Walt Disney over copyright control
He got less than he wanted, more than they'd a-give
Both sides are bitter, both sides'll live


Along the way, he tackles depression, old age and the state of America today with world weary wit and wisdom. He even has a word to say about 9/11...

Annie, what you doin' in Nebraska?
Does anybody know what's goin' on?
Annie, what you doin' in Nebraska?
Trade Center's gone, Trade Center's gone

I never thought much of the younger Bush
He never seemed to have a clue
He sat there smilin' with that children's book
While they decided what to do
No one could find him 'til that big blue plane
Set down at Offutt AFB
We've all seen worse now, but his name's still mud
For goin' down that rabbit hole while Arafat gave blood


OK, let's stop there shall we. 

There's one more record to go, but I might as well save it till tomorrow. 

What else am I going to do on New Year's Day?

Tuesday, 30 December 2025

Namesakes #170: The Go-Betweens


Another quick one for the space between Christmas and New Year, when everybody's got more important things to do than read blogs...

THE GO-BETWEENS #1

A group of men posing for a photo

AI-generated content may be incorrect.

Hailing from Queens, New York, in 1965, these guys (who were mates with Dion) had a minor hit in the local charts with the single below…

The Go-Betweens – Have You For My Own


THE GO-BETWEENS #2

A group of people posing for a photo

AI-generated content may be incorrect.

Brisbane’s finest, formed in 1977, led by the exemplary songwriting team of Robert Forster and Grant McLennan with top notch support from Lindy Morrison, Robert Vickers and Amanda Brown. McLennan’s death in 2006 brought the curtain down on the band for good, but Forster remains a strong solo voice to this day.

I’ve chosen their very first single because, basic though it is, it’s still one of my favourites.

The Go-Betweens – Lee Remick


THE GO-BETWEENS #3

Something to do with the German football team SV Darmstadt in the year 2000… perhaps a tribute album or some such? Google translate would only take me so far, although the song title translates as “Football can be so beautiful”… which I’ve yet to see any evidence for myself, but hey ho.

The Go Betweens - So schön kann Fussball sein


Not much to choose between this week - and a clear winner, surely?

We'll see...


Monday, 29 December 2025

My Top 25 of 2025 #7

Almost done!

I thank you for your patience during this difficult time... year end countdowns can be such a drag, can't they?


6. Manic Street Preachers – Critical Thinking


The best Manics album in some time is a strange beast, because with one notable exception, the best song are sung by Nicky Wire, not James Dean Bradfield, and to quote Ben...

Not really a fan of [Nicky's] voice. I mean, when you've got JDB, why ever would you let anyone else sing?


I've been trying to work out why Nicky would choose to croak so many of these songs himself, rather than letting James be his proxy voice as his usually the case. Maybe James is finding a full concert of belting them out is starting to put a strain on his vocal chords, so the band want a few Nicky tracks in their catalogue to give him the occasional break?


Or maybe these were a particularly personal batch of Wire lyrics, and he felt the only way the band could do them justice was if he stepped up to the mic?


Whatever the reason, the songs that Nicky gives to James (still the majority of the album) don't feel as personal or as raw... they feel more like standard Manics songs... with that one notable exception...


I've written about Dear Stephen previously, and I probably said everything I had to say about it in that post, but it's still one of my songs of the year. And it's not the only time the band steer into Smiths territory on this record. You'll hear a very Johnny Marr guitar sound on this track too...



5. Pulp – More


I've also written before about the perils of impossibly high expectations... but here's a prime example.

The first Pulp album in 24 years was a record I'd only ever dreamed of. A little context here - every Pulp album from the1993 compilation Intro to their final, Scott Walker-produced, unappreciated epic, We Love Life in 2001 - every one of them was my album of the year.


'93, '94, '95, '98, '01 - five years, five albums, nothing to touch any of them. The penultimate disc, This Is Hardcore, is also my favourite record of the 90s. So you see what an impossible task Jarvis, Nick, Candida and Mark had set themself by making a new Pulp record? Was it always doomed to be an ever-so-slight disappointment?


The crazy thing is, More gives you everything you could ever want from a Pulp record, starting with a wonderfully Jarvisian confession about why they went away, and why they chose now to come back.

Something stopped me dead in my tracks
I was heading for disaster and then I turned back
I was wrestling with a coat hanger, can you guess who won?
The universe shrugged, shrugged then moved on

Not a shaman, or a showman, ashamed I was selling the rights
I took a breather and decided not to ruin my life
I was conforming to a cosmic design, I was playing to type
Until I walked back to the garden of earthly delight

I was born to perform
It's a calling
I exist to do this
Shouting and pointing

No one can ever understand it
And no one will ever have the last word
Because it's not something you could ever say
So swivel


Far more of the wit and wisdom of Mr. Cocker is to follow, including the usual meditations on sex, death, growing old, grubby backstreets and old girlfriends who might have been the one...


They even threw in a genuine pop hit... or it would have been a hit, if they'd released it three decades ago, when they originally wrote it...


More then, is a truly great comeback record. It's everything you could want from a Pulp record, and only a Pulp fan who was a complete idiot wouldn't make it his album of the year... but clearly I was expecting More.
 


4. Craig Finn – Always Been



By contrast, it's much easier to write about the new Craig Finn album. The main man from The Hold Steady always places towards the top of my countdown for his superior storytelling skills, creating heartfelt vignettes of the people who fall through the cracks. Always Been is no different.


What does make this one different though is that this time Craig enlisted Adam Granduciel and The War On Drugs to be his producer / backing band with the clearly intent of making a big 80s-sounding L.A. record. And they succeed on every level, crafting an album that shimmers in the heat haze like The Boys of Summer... with that unmistakable Craig Finn voice shining through the smog. 


I've always found The War On Drugs to be a very frustrating band - being a child of 80s American rock, I love the sound they make... but they never seem to have anything to say lyrically, so their records rarely catch with me. Here though, they're working with one of the premier lyricists of their generation, and the result is pure magic.   


Only three more to go...


Sunday, 28 December 2025

Snapshots #428: Ghost Train Songs

Welcome onboard the Snapshots Ghost Train. 

Beware, it's going to be a spooky ride!


15. Common to bumblebees and Greylag Geese. 

BumbleBEEs and Greylag GEESe. 

The Bee Gees - Ghost Train

14. Gervais feminized by Man In Black.

Ricky Gervais becomes Rickie when he counters Tommy Lee Jones.

Rickie Lee Jones - Ghost Train

13. Hold it - you're banned from professional wrestling!

Strangleholds are illegal in professional wrestling.

The Stranglers - Ghost Train

12. Causeless male offspring.

Sons without a cause...

Rebel Son - Ghost Train

11. Slice lost love into bits.

"Slice lost love" was an anagram.

Elvis Costello - Ghost Train

10. Norm's rabbity, isn't he? 

"Norm's rabbity" is an anagram.

Marty Robbins - Ghost Train

9. Visited Graceland. Met Cher.

He did both, while Walking In Memphis. Maybe he even went on the Ghost Train there...

Marc Cohn - Ghost Train

8. Toilet used by both Bob Dylan and The Charlatans.

Bob sang about a North Country Girl. The Charlatans sang about a North Country Boy. These guys provided the w.c...

North Country Gentlemen - Ghost Train

7. When he called out for another drink, the waiter brought a tray.

That's a lyric from Procul Harum's Whiter Shade of Pale, (co-)written and sung by this man...

Gary Brooker - Ghost Train

6. Fancy a zig roll?

"A zig roll" was an anagram...

Gorillaz - Ghost Train

5. No Seine, Sherlock.

The River Detectives - King of the Ghost Train Ride

4. Cutting edge Manga for teenage lads...

Shonen is teenage Manga.

Shonen Knife - Ghost Train

3. The Boss's jumpers...

Bruce Woolley - Ghost Train

2. Rooks 1, Ravens 2...

Counting Crows - Ghost Train

1. Iron Maiden challenge them to a game.

Iron Maiden sang Can I Play With Madness?

Madness - (Waiting For The Ghost Train)


More of this nonsense next Saturday.


Saturday, 27 December 2025

Saturday Snapshots #428

Hello, playmates!

Welcome to the final edition of Saturday Snapshots...

...for 2025.

Today, I Askey you to identify the folk below and work out what they might be singing about. 

I thank yew.


15. Common to bumblebees and Greylag Geese. 

14. Gervais feminized by Man In Black.

13. Hold it - you're banned from professional wrestling!

12. Causeless male offspring.

11. Slice lost love into bits.

10. Norm's rabbity, isn't he? 

9. Visited Graceland. Met Cher.

8. Toilet used by both Bob Dylan and The Charlatans.

7. When he called out for another drink, the waiter brought a tray.

6. Fancy a zig roll?

5. No Seine, Sherlock.

4. Cutting edge Manga for teenage lads...

3. The Boss's jumpers...

2. Rooks 1, Ravens 2...

1. Iron Maiden challenge them to a game.


Answers tomorrow morning.


Friday, 26 December 2025

My Top 25 of 2025 #6 (not 7)


I hope you all had a nice Christmas. No rest for the wicked here at Top Ten Towers, as I continue to count down my favourite records of the year. What number did we get to? 8? So this post will therefore feature 6 & 7?


You'll only get that if you know any young people. And even then, you won't get it.

For mor information, google "What is 6 7?" - but don't blame me if it makes your screen go funny.


8. The Waterboys – Life, Death & Dennis Hopper


For truly, it is the year of the concept album – but this one’s definitely the easiest to comprehend, because it does exactly what it says on the tin. Following on from the stand-out track on the last Waterboys album, Good Luck Seeker, which was a tribute to the actor Dennis Hopper… here’s a whole album dedicated to his insane story. And somehow, Mike Scott resists the urge to revisit that original tune… he’s got more than enough ideas to fill this record with as it is.


This is a story of sex and drugs and rock ‘n’ roll – plus plenty of movies too, from Easy Rider to Blue Velvet and beyond – with a host of special guest Dennis Hopper fans invited along for the ride, including Steve Earle, Fiona Apple, Taylor Goldsmith and some guy called Springsteen, who’s not allowed to sing… just deliver a spoken word monologue in those reassuring, gravelly tones… a master-stroke of restraint on Mike Scott’s part. 


All this and a song celebrating Hopper’s finest hour – playing this hideously terrifying Frank in Blue Velvet. If you know the film, you'll understand why I'm not sharing the title here. Much of this record isn’t about Hopper as an actor though, it’s about his place in history (particularly the 60s), as a counterculture icon, and as an observer at some of the wildest moments of the 20th Century. So maybe you'll dig it even if you're not a Hopper-head. Or maybe not...


7. Jim Bob - Automatic / Stick



Clearly not a man who believes in sleep, the artist formerly known as one half of Carter The Unstoppable Sex Machine this year released two new albums on the same day. Just like Guns n Roses did with Use Your Illusion, and Bruce did with those early 90s albums that weren't as good as Use Your Illusion. Jim Bob promoted this twin-release with his usual verve and vigour...



Well, I bought them both, of course. And they're exactly what you want from a pair of Jim Bob records - lots of angry, maudlin songs about how shit the world is, and quite a few that make you realise he's not actually as misanthrope despite all that, because he writes with such empathy for ordinary folk that at times it just breaks your heart.

I've broken a promise that I made to myself
I'd never write another one of these songs
I'd turn my attention to something else
I've tried but the pull is too strong
God knows real life is hard enough
Without the need to fictionalise
But it grinds my gears and it breaks my heart
To think of all the wasted young lives


Two albums deserves two videos...


...and you might wonder whether those two albums are both 6 and 7? 

No. Gen Alpha, I'm sorry... because I'm stopping there today. Just so that 6 is on a separate post to 7. (And also, that leaves me three albums x two more posts. Which seems neater.)

Join me next week for my Top 6 albums of 2025... if you can be bothered.

Start placing your bets now for what's still to come...

Thursday, 25 December 2025

My Top 25 of 2025 #5


Happy Christmas!

Here's The My Top Ten Traditional Christmas Song...


And here are some more of my favourite records of 2025, to listen to while you cook your turkey.

I wouldn't normally do this on Christmas Day, but I'm worried if I don't, I won't get them all in before next Thursday.


11. The Mountain Goats - Through This Fire Across from Peter Balkan


Another concept album, knocking on the door of the Top Ten, this one involving a dream that novelist / songwriter John Darnielle had, involving a shipwreck and a desperate ordeal for three survivors (including the titular Peter Balkan).

The Mountain Goats - Peru

I’m only just beginning to scrape the surface of this one – the latest Mountain Goats album was released in early November – and its position so high in the countdown is perhaps more reflective of my growing fascination with the work of Mr. Darnielle and a lot of time spent listening to the Goats’ back catalogue this year (I’m even thinking of putting together an ICA for JC… if I ever get the time).


10. Jonathan Richman – Only Frozen Sky Anyway


It’s a while since I’ve listened to any new releases from Jonathan Richman – in fact, I don’t think I’m familiar with any of the albums he’s put out this century, only the stuff from his prime in the late 70s early 80s, and the classic 1990 release Jonathan Goes Country.

Jonathan Richman - Night Fever

I was suckered into falling for this one through his cover / reinvention / Jonathanisation of the Bee Gees’ Night Fever, but there’s much more joy to be found here. The critics tell me the album dwells on death and mortality – but isn’t that to be expected from an artist with six decades in the music business? I can’t say I noticed it anyway, I was more taken with his customary wit and wisdom (making me wonder why I haven’t paid more attention to his more recent output), deep philosophical insight (which you can take or leave, it never feels like he’s pontificating) and splashes of Spanish, as on Se Va Pa'Volver and Little Black Bat.

 

9. Divine Comedy – Rainy Sunday Afternoon

Another late entry to the countdown, released at the end of September, yet already confirming itself as a glorious addition to the Neil Hannon songbook. It’s a deeper and more personal record than his rather frivolous last recording, Office Politics – incredibly, that was six years ago, but Neil kept himself busy writing the soundtrack to Wonka in the meantime.

The Divine Comedy - Invisible Thread

Unlike the Jonathan Richman record, I could definitely spot mortality as a major theme here – understandably, as it turns out Neil lost both his father and his favourite dog while working on these songs. Yet it’s never a depressing record – there’s a lightness, a joy to be found in even the most contemplative of tracks. Just none of the pure comedy moments Neil often throws in to satisfy his Noel Coward urges.

The Divine Comedy - The Last Time I Saw the Old Man

It always amazes me that The Divine Comedy came to fame at the height of Britpop, since Hannon’s songwriting belongs to another era entirely. Coward yes, but Cole Porter too.



You can go back to your brussel sprouts now.


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